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Peter Gabriel - new album Eno paints with light

Peter Gabriel launched what may be defined as a record of 'orchestrated covers. " This new production is entitled Scratch My Back and, according to one of its partners, will be a sort of 'exchange of issues': the English singer cover versions of other artists, and a group of 'no less legendary artists' will Gabriel versions of material ... something like "you play my song and I play yours."

"I thought we could exclude the guitar and drums, and using only the palette of the piano and orchestra," says Peter Gabriel -. normally defined as fixed points or arrangements, and in this I concentrated on being a singer and re-interpreting songs, so that was good. "

Gabriel has recorded the album at London's Air Lyndhurst studios (owned by George Martin), and has worked alongside the renowned producer Bob Ezrin (Lou Reed, Pink Floyd, etc..) And Tchad Blake (Suzanne Vega, Sheryl Crow, Tom Waits, etc.). ...

explains the composer John Metcalfe (Durruti Column): The songs are much more than covers ... are striking reinterpretations of the best music ... It's a pretty radical commitment. What I do is just recreate the music of the songs that Peter has chosen to sing. This is important because some of the titles included are among the best in the last 40 years.

The cutting disc is acoustic and only used the instruments of an orchestra (no guitars, drums or similar) ... the sound ranges from quiet and sparse beats up an orchestra in its full expression. ..

know that Scratch My Back will be followed by 'll Scratch Yours. In the first, by Gabriel, is re-interpreted several issues the likes of Talking Heads, Radiohead Regina Spektor or, for Meanwhile, "I'll Scratch Yours" is a kind of response from versioned artists who performed covers of issues of Gabriel.

Peter Brian Gabriel (1950, London), whose last studio LP was "UP" (September 23, 2002) speaks of an "eclectic album, with songs of worship and classical themes."

Topics recreated by Peter Gabriel on "Scratch My Back" are: "Heroes" by David Bowie, "The Boy In The Bubble" by Paul Simon, "Mirrorball" by Elbow, "Flume" by Bon Iver , "Listening Wind", "Talking Heads" "The Power Of The Heart" by Lou Reed, and "My Body Is A Cage" by Arcade Fire.

Just as "The Book Of Love", "The Magnetic Fields," "I Think It's Going To Rain Today" by Randy Newman, "Apres Moi" by Regina Spektor, "Philadelphia, Neil Young, and" Street Spirit "" Radiohead ".

This album has been recorded by Gabriel and colleagues at Air Lyndhurst Studios, George Martin and Temple Real World, edited and mixed at Real World Studios in Wiltshire.

Peter's career Gabriel since he left Genesis in 1975, brings together seven studio albums, the soundtracks of films like "Birdy", "The Last Temptation of Christ" and "Rabbit-Proof Fence" and several live albums and compilations.

His extensive musical career includes multiple Grammy awards and the creation of global festival Womad. He is also co-founded the human rights organization Witness.org in 1989 and in 2007 Elders.org, sponsored by Nelson Mandela and founded by Gabriel and Sir Richard Branson.

The ex-Genesis fans have already had a first look at himself in the past global festival Womad: Gabriel, the creator of it, he played there the theme "the boy in the bubble" by Paul Simon accompanied only by an accompaniment based on strings.



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Brian Eno paints with light. His paintings, like the medium, and dance like jazz solos or elaborate ragas. In fact, they have more in common with live music with traditional art. "When I started working on visual work, my purpose was to make paintings that were like music," he says. "This means creating visual works that change very slowly." Eno has some 25 years sculpting and bending light into living paintings, amazing galleries across the world with modified televisions, programmed projectors and sculptures three-dimensional light.

But Eno is not known for his visual art, but for shattering musical conventions as keyboard player and musical alchemist of Roxy Music, the legendary glam rock 70's. He is known as the father of modern ambient music and producing tracks for David Bowie, Talking Heads and U2.

It is easy to realize that the stunning artwork of Eno could be overshadowed by his musical accomplishments. Music is a consumer product, it can be heard anywhere. Instead, it is impossible to see in the living works of art, which often involves complicated and cumbersome.

far. Eno has found a way to display his light paintings, about 77 million of them-in your own home. This multidisciplinary artist, with the help of a few technical experts, has created a computer program that continually fuses his translucent light paintings to create a constantly evolving artistic display on the screen of your computer. The piece is accompanied by a mixed ambient track that never repeats itself randomly. This program is capable of creating about 77 million permutations of Eno's visual work and is titled, appropriately, "77 Million Paintings."

Television = Light The

TVs are nothing more than complicated light bulbs. Eno took this concept for the first time in the late 70's. "When I started playing with the video, I suddenly realized that the video is based on manipulating light, not images," he explains. "This is because the history of television: television from the cinema, and film, in turn, the theater, so we always hope there are images that have to do with narratives and references to real life. " Eno

thinking of something different. He wanted to use television to create abstract visual works, ie, light paintings. "For the first time it was possible to have a very bright source manageable "he says. "I could identify with absolute precision what happened to the light at each point of the screen. Of course, everybody knows, but it looks like, do not think that television is like a light box, which is what I wanted. "

Initially, Eno was devoted to mulling over the idea of \u200b\u200btelevision out from the narrative space and throwing the realm of portraiture. He videotaped the views of his apartment in New York and presented in galleries. The shows were a resounding success: the serene scenes enthralled for hours visitors to the galleries. Then, Eno created three-dimensional light sculptures ziggurat-like using old tubes and foam core board. He also experimented with slide projectors and slowly changing abstract images.

Eno's artwork blossomed in the midst of his musical career, but still found it nearly impossible to deliver his visual creations. This changed with the advent of the XXI century. "I walked next to a mansion with a large screen on the wall at a dinner party," describes. "The screen was black because nobody's going to watch TV is at a banquet. It was a fantastic opportunity for something really wonderful, but in Instead there's just a big black hole in the wall. So, I decided to complete, somehow, that empty space. "

who sows, gathers

Eno knew it would be easy to display his light paintings on a HD screen, but wanted something more. So he created a program that, by itself, continually generate new artwork. The concept is called "generative" and produces a significant amount of art. "What I do when I work really generatively is to sow seeds, then planting them, in the case of" 77 Million Paintings "on your computer," says Eno. "Then the seed grows in all different types of flowers it can produce. "

The artist gathered a small group of media gardeners to help you grow your project. For image processing, turned to graphic artist Nick Robertson. Dominic Norman Taylor, director of All Saints Records, came aboard to help with production. Programmer and digital video specialist Jake Dowie was hired to compile the program that ultimately fuse Eno's light paintings into new creations. The team used Macs almost exclusively

"I find it difficult to know how I would work if not having a Mac" Eno says. "I am very happy with the performance of the interface. To me it is important my relationship with the computer, and I think it's easy to have a very smooth and fun with the Mac. "

More than 300 Eno paintings, most of them scratched or inked onto slides were digitized for "77 Million Paintings." Robertson painstakingly scanned and retouched each of them using Adobe Photoshop and a Mac 'taking handcrafted elements and incorporating them into the digital environment, "he says. "The transition from the original painting to the digital version was perfect." Robertson worked for over a year, touching up each image and adding sections transparent and translucent to allow overlap. Once scanned and processed images, Dowie took charge of them grow in the bowels of the computer.

artistic culture

a conventional artist to paint five pictures a day would need about 42,000 years to paint 77 million of them. "If I had spent a lifetime trying to create all those pictures as separate entities would not have reached or one thousandth of the amount that this application is capable of generating," says Eno. "It is a very prolific and economic environment in which many results are obtained with little effort." For all

work, Dowie turned to Macromedia Director. "The real objective was to ensure that Brian was more like a work of art than a screen saver," says Dowie. "The challenge was to take images and define very simple routines to display randomly on the screen without losing its high definition. Moreover, everything had to be as simple as possible to avoid overloading the processor. We did many tests and made many mistakes, but in the end we found the solution. " In its final version, "77 Million Paintings" shows between one and four images on screen simultaneously. Some of the pictures of Eno are just background images formats JPEG, the rest are translucent PNG files that come and go over those.

Eno is at least happy with the results. "I like the fact that they are sitting and watching how it works and know you are doing something that I have never seen before," he explains. "And he does all day, every day. Create combinations and groupings that are truly amazing and in some cases, astonishingly beautiful. It's fantastic. "

"77 Million Paintings" presents not only images. Eno used to compose pieces of music background music that will change continuously. The parts are mixed just like the pictures: interlaced layers of sound to create a complete work that is rarely repeated. Eno used Logic Pro, like all his songs. "Logic is inseparable from the way I create music," he says. "The works that you create are largely determined by the tools you have. If you sit at the piano to compose a different tune if you use a guitar or pick up a violin. What I think is largely influenced by the materials they use. Logic is a very, very versatile, flexible and robust. I always find something I can do with Logic that neither knew he could do. " New

habitat

Until recently, Eno would have been physically impossible to 77 million paintings in a gallery. Now you can. The artist has shown the project in Tokyo, London, Milan and Venice, and plans to take to Cyprus, Madrid, Palma and Cape Town. At first, Eno did not intend to take "77 Million Paintings" on tour. After all, the project was designed for the home. But once again, the work led to unexpected opportunities. "The first time I saw two or three tables next to each other, I thought it was wonderful to see them in groups, so I started to think about how you could group. So simply hang on the wall like paintings or do some kind of supraafirmación placing several of them together? " The answer: both. "We have made presentations with up to 24 screens visible from a point, with great success," says Eno.

Eno and his team have designed and built several configurations for exhibitions, including a massive pyramid of monitors involved in mirrors. "The floor and walls of the room is reflected, so that the pyramid has become a diamond," says Robertson. "The project has made us think of the monitors and computers as sculptural elements." Each exposure was (or will be) designed for each space. In Tokyo, the team hit 57 Power Mac and iMac computers to monitor hive. In London, only used three computers and two monitors. "Each space inspires a different approach," says Robertson. "The exhibition will not be the same twice."

natural selection

"77 Million Paintings" continues to evolve. "We are contemplating the idea of \u200b\u200busing natural selection in the next draft," said Taylor. "When people see a combination of images you like, you can press a button and the computer will remember it. Similarly, the user can delete certain combinations. After a very long period, we will have a few images that have survived the selection process. Then the program stops. The selections of each person will be different. " Eno also worked with some of their favorite artists to create groups of images and sounds entirely new for the next project. "For now these are only ideas," says Eno. "We'll see where we are."

Eno has spent much of his life to plant creative seeds, and "77 Million Paintings" can be considered his most complex and fruitful. Keeps growing and branching out into new ideas, which Eno is particularly proud. "One of the great advances in the theory of evolution is that you can start with simple things that will become increasingly complex ", he says. "It's very intuitive, it's one of those things that the human brain can not assimilate immediately. It makes no sense until you see it. You have the idea of \u200b\u200bsomething small that does not contain many instructions, produces this complex world, highly intertwined and interdependent. One of the things I like about this book is that it serves to prove it. " Http://www.apple.com/

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Circuit Bending

Circuit Bending is shorted low voltage electronic devices battery-powered, creative purposes. Guitar effects, toys and small synthesizers thus become new musical instruments and sound generators. Often what you get with this technique is a chaotic noise, attracting the industry's most experimental musicians and those interested in noise music .

is said that the pioneer of this method was Reed Ghazala, who began experimenting in 1966 with the amplifier of a toy radio. By chance, produced a short circuit with a metal object, and warned that it produced all kinds of unusual sounds. Ghazala Circuit Bending coined the term, and later, promoted their proliferation writing about it on the internet .

Also, Serge Tcherepnin , designer Serge modular synthesizers, conducted experiments in the 50's with a transistor radio, a circuit located at certain points "sensitive" that drew the outside by placing contacts in the plastic housing, which could be touched hands. And going as far back, we can mention Thaddeus Cahill (1897) and Telarmonio , who was also touch sensitive.

Circuit Bending is a process that people have often developed not associated with music production, just experimenting with electronic devices used. The randomness of the results is the key to Circuit Bending. Although history electronic music has often been associated with unconventional sonic results, innovators as Robert Moog Theremin engineers were seeking consistency and sound design for their instruments. The Circuit Bending, however, is characterized by inconsistencies in instruments created in a non-scientific.

not uncommon and cortocirtuitadas machines on eBay, but this goes against the philosophy of Circuit Bending. We must therefore distinguish between modifications (mods) and Circuit Bending pure. The first follow a pattern, the Circuit Bending is based on pure randomness and chance, therefore it makes no sense to acquire a device already "processed" your machine Circuit Bending will be that you build yourself and be unique.

The technique involves removing a consumer electronics device and circuit connecting two locations with a cable, sending current from one side to another. The sonic results are monitored through the device's internal speaker, or connect an amplifier to the speaker output. If there is an interesting result, that connection is marked for future reference or is active-for example, by welding. The casual nature of this procedure we can see in our own forums, reading what happened to Alberto Miranda with PT-1 .

often insert new components such as buttons or switches to turn effects on or off, or else, resistors and capacitors to change the audio quality. Everything is done by a method of trial and error. The most experienced dare potentiometers, Photoresistors, pressure sensors, etc.

The simplest modification known in the Circuit Bending is the mere physical contact: the performer plays the instrument, causing the circuit change the sound. Often added metal buttons or knobs, and even screws, to give faster access from outside the device to circuit points of interest manipulate.

is easy to understand why Circuit Bending focuses on battery-powered devices. With all this handling based on pure chance, it would be very dangerous to work with computers connected to the mains. In fact, a common outcome of Circuit Bending leads to damage the device, the consequences of wrong handling equipment connected to AC power can be fatal.













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